a black composer finally arrives at the metropolitan opera

A BLACK COMPOSER FINALLY ARRIVES AT THE METROPOLITAN OPERA HOW TO

“This was totally different ,” according to bassist Matthew Wilson. UCLA Global Jazz Studies department chair Steven Loza joins a selection of Terence Blanchard’s students before the special Los Angeles pre-screening of Fire Shut Up in My Bones – Live in HD Casciato is one of the students who was invited to attend a special preview of the opera on Tuesday afternoon. He’s the epitome of the word versatility,” says Jordan Casciato, a baritone saxophone player at UCLA. “You could definitely feel Terence’s mindset in the music because I’ve listened to his other works, but they sound nothing alike. Many of these students were experiencing opera for the first time, but they know their professor’s jazz compositions intimately. Inaugural Dean Eileen Strempel and Steven Loza, chair of Global Jazz Studies at the Herb Alpert School of Music, helped coordinate an opportunity for Blanchard’s students to see their beloved professor’s historic achievement with the generous support of the Metropolitan Opera. An all-star, almost all-Black cast paint a portrait of a young man’s turbulent upbringing in “Fire Shut Up in My Bones” at the Metropolitan Opera.

A BLACK COMPOSER FINALLY ARRIVES AT THE METROPOLITAN OPERA HOW TO

The touching story leads to a climax when Charles must choose how to live the rest of his life, rebuilding from that moment forward. Blow and tells the story of his journey to overcome trauma and hardship. The opera is an adaptation of the powerful memoir by Charles M. Students of the GRAMMY-winning, world-renowned jazz trumpeter and educator were invited to a special Los Angeles screening of the opera, Fire Shut Up in My Bones, in advance of Saturday’s planned simulcast in Lani Hall on the UCLA campus on October 23rd at 9:45am.

UCLA’s Herb Alpert School of Music Distinguished Professor Terence Blanchard recently became the first Black composer to debut an opera at the Metropolitan Opera in their 138-year history.

A black composer finally arrives at the metropolitan opera